Monday, May 18, 2026
Saturday, May 16, 2026
Sunday, May 10, 2026
Thursday, April 30, 2026
Translation of my haiku by Nabil Al-Mujalli
Poet friend Nabil Al-Mujalli translates my haiku in Arabic:
चांद छुपता रहा
मैं पीछे पीछे
भागता रहा
The moon kept hiding
and I kept running
after it
--R K Singh
يواصل القمر التخفي
وأواصل الركض
في أثره
Trans. Nabil Al-Mujalli
Saturday, April 18, 2026
Sun and Shade published in The Cultural Reverence
Sun and Shade — A Poem by R.K.Singh, India
#WeekendPublication April 18, 2026 |
SUN AND SHADE |
|
Know the Author:
Ram Krishna Singh, born, brought up and educated in Varanasi, is a
well-known Indian English poet, who has been writing for nearly five
decades now. He is widely published, anthologized and translated into
several languages, with nearly 25 poetry collections, including the
recent ones Against the Waves: Selected Poems (2021), 白濁: SILENCE: A
WHITE DISTRUST (English/Japanese, 2022), Poems And Micropoems (2023),
Knocking Vistas And Other Poems (2024), and Leaves of Silence (2025) to
his credit. More at https://pennyspoetry.fandom.
https://theculturalreverence.wordpress.com/2026/04/16/sun-and-shade-a-poem-by-r-k-singh-india/ |
Wednesday, April 08, 2026
Sunday, March 29, 2026
Ben Noah Suri, Freelance Writer, reviews LEAVES OF SILENCE
This anthology “Leaves of Silence” by Ram Krishna Singh gathers a series of short poems including a few Haiku and Tanka which are contemplative in nature into a beautiful garland of poetic flowers. These small leaves of silence resonate with the fractured landscape of contemporary human life, reflecting on a world marked by confusion, alienation, and quiet despair. Yet the poems are not merely observations of chaos; they are positive in their attempts to understand it. Each verse becomes a small act of inquiry into whom and what we are and what it means to exist amid such uncertainty.
Despite their brevity, the poems carry a surprising depth. They capture fleeting moments of emotional, philosophical, and sensory perception transforming them into distilled reflections on the human condition. The poet frequently frames these reflections through images drawn from nature and the body: wind through leaves, shifting light, the pulse of physical presence. Such imagery anchors the poems in tangible experiences even as they gesture toward deeper, almost spiritual currents.
What makes the anthology compelling is its balance between stark realism and quiet introspection. The poems acknowledge the absurdities and senselessness of modern life, yet they also search patiently for meaning within that disorder. In this way, the collection suggests that understanding may not come through grand revelations but through attentive glimpses including moments where the external world and inner consciousness briefly meet.
The result is a sequence of poetic fragments that feel both intimate and universal. Like whispers carried on a breeze, these poems evoke the complexity of existence while leaving space for reflection. In their spare language and evocative imagery, they remind the reader that even in the midst of confusion, small moments of clarity with perhaps grace can still emerge.
-- Ben Noah Suri









